James (looking at her like yeah and): Bette all I’m saying is instead of four weeks why not six. (Seeing her glare at him) don’t pick on me. I’ll call Tina or Kit, or better yet Helena.
Bette (relenting): You would use that. (Throwing her hands up) it’s because I want a show set before spring. I want everything in place before the rest of the art world does and I don’t want surprises. And why do you do that

James (nodding): Got it. (Smiling) and because you don’t play well with others.

Bette (rolling her eyes): You listen to my family too much. (Gesturing) let’s see what we have in crate number one shall we.

James (pulling out the statue of Apollo) shit you weren’t kidding. It looks like it could come to life any moment.

Bette (awe): Shit (the statue stood almost 3 feet high, made of metal and limestone; the details were painstakingly done to the point that the statue looked like it would get up and walk away; the armor and weapons were life like.) This piece needs to go over on that tower (helping James pick it up and move it. Lifting it onto the pedestal she set up the statue and placed the rods and clamps to keep it from falling over. Arming the secondary alarm she stepped back and looked at the work of art.) Perfect. Okay we have those paintings to unpack and set up and then we’ll do lunch.

James (sipping his coffee): Are they going here in the main hall or one of the secondary halls?

Bette (writing notes): Not sure. (Standing up and setting her pad down) let’s take a look shall we.  

Shaolin Studios
Tina walked down the hallway towards Helena’s office. She had the budget reports and the film schedule hours to go over. Seeing Morgan, her newest security officer in plain clothes waiting by a door she smiled. 
Morgan (straightening up): Maam, anything I can do for you.

Tina (patting a very well defined bicep): No just off to see Helena, em Ms. Peabody to look over a few things. The question I should be asking is there I can do to help you.