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    From Afar

     

    As Jack takes the crumpled up paper from Tina, he examines it.  Jack immediately understands that it is a release waiver as he creases his brow reading the entire document completely.  Looking up at Tina when he’s done “What photos are we talking about here?”

     

    “Apparently the photos that Helena hired a photographer to take during my delivery of Anna.” Tina states.

     

    “Well it seems pretty straight forward with the intent.  What’s going on that she would need a release?” Jack probes.

     

    Here Tina sighs, not really knowing where to begin.  “I guess I need to fill you in a little if you are ever to make any sense out of this.” Tina laughs a nervous laugh.

     

    Jack looks at Tina, understanding after years of being a lawyer that nothing ever really is as it seems and it’s never simple as it appears.   He sits back in his listening mode as the more she shares the better he will probably understand.

     

    “I guess I should start by telling you that Bette and I have been together long before you met me.  But I guess that might not be important right now.  What is important is that Helena and I were together during my pregnancy.   She helped support me during that time and was present during the entire delivery or at least apparently she would like everyone to believe that was the case.  I do remember the photographer and the pictures being taken but I don’t remember signing that document.  I’m not really sure when I did but looking at the date that is the day I was discharged.  I can tell you I was never presented this document by anyone who explained its significance in relation to the photographs it controls.  Certainly not one of Helena‘s lackey attorneys explaining that I was signing away my rights to those hideous pictures. ” Tina explains.

     

    Jack looks at Tina and sees her distress “OK Tina where have the pictures shown up and do we need to get those rights back?”

     

    “They are being shown at MOCA right now as we speak.  Oh Jack they are just awful.  She has had them altered to something that is so far from the truth.  They are now something that is only real in her imagination.   Some vision of her own making that fulfills something that she needs to have told.  But I have to tell you they are something that I want shut down.  I’m not real fond of having all my assets shown to the world if you know what I mean.  Is there anyway that we can get the pictures pulled out of the exhibit?” Tina asks now hopeful.

    Comments

    1. Well, you know what I think about Alice so I hope that Tina respects Bette’s wishes and keeps the story quiet. Alice does not deserve to get the last word in and have the story published. She will be insufferable if she does!

      Hmmm, is “For Tina My Love” possible not only a dedication to Tina herself, but also her way of getting even with Melvin for his views on her relationship with Tina? Afterall, the money was seeded by Melvin.

      Get the injuction for the pictures, then get working on making Helena sweat so she makes the move to drop the issue once all of the dirty details come to light about her deceiving Tina, the foundation shennanigans, etc.

      Oh, there is a lot that’s gonna happen now!

    2. Thanks for taking the time to post for Jwet. I just love this story.

      I don’t think they need to use the trust fund; I don’t think the Peabody Foundation is going to like the idea of Helena using the foundation for her personal ‘ventures’.

      Thanks for making Alice sweet in her story about Bette. I’m glad Tina has melted some and understands that Alice was looking out for her but found Bette to be a pillar of society.

      Great story! Thank you so much, for writing; for posting.

      Have a great weekend!

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