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    LAMBENT: Part 2.0-2.33


    INTERIOR-BETTE’S BEDROOM-NIGHT

    JODI (signs)

    Why are you telling me this?


    BETTE reflects, unsure of what to say.

    BETTE

    I didn’t want to lie to you.

    JODI (signs)

    I guess I can appreciate that, but I wish that you’d kept it to yourself.

    BETTE (signs)

    You prefer that I would’ve lied to you?

    JODI

    I would prefer that you hadn’t fucked someone while I was away.

    BETTE

    I’m sorry. It just sort of happened. It wasn’t part of some great seduction.

    JODI (angrily)

    You’re a hypocrite.

    BETTE (signs)

    That’s fair.


    With that, BETTE gets up and sits in the chair across from the bed.

    BETTE (signs)

    What do you want to do?

    JODI (signs)

    Don’t put this on me.

    JODI (says)

    You decide.


    INTERIOR-DAX’S GARAGE-DAY


    MAX is almost done setting up a computer on DAX’S service counter. A few mechanics are working on cars in the background.

    MAX

    Now you’re up to speed. All the computers on your network have the latest version of Quicken and Excel so you can…

    DAX

    Thanks Max.


    MAX smiles shyly. DAX brushes the hair behind MAX’S ear and kisses him

    on the cheek.

    DAX leans in, grabs MAX’S package.

    DAX

    (whispers in MAX’S ear)

    Fuck me.


    CUT TO: INTERIOR-DAX’S OFFICE

    CUE: PJ HARVEY’S This Is Love
    DAX is sitting on the edge of her desk, legs spread. MAX is between her legs, holding DAX’S hips, and fucking her with short quick strokes. DAX has her arms wrapped around MAX’S neck. They are both breathing heavily, but not speaking.


    CUT TO:


    MAX is hitting DAX from the back, DAX who is standing bent over her desk, leaning on the desk with her hands. MAX is holding onto DAX by the hips. DAX leans up, brings her face back to MAX’S and they kiss.


    CUT TO:


    MAX and DAX are on the floor, doing it missionary, never breaking eye contact, very intense, focused, and intimate. DAX gets closer to climax. MAX digs in deep and DAX comes.


    EXTERIOR-JENNY’S HOUSE-DAY


    SHANE and SHAY are unloading his bag’s from SHANE’S truck.

    SHANE notices that SHAY is dragging his feet, he looks upset and wistful. She puts her arm around him and he looks up at her. SHANE kneels in front of him.

    Page 1 of 212

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