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    1 Tina

    I had just been transferred to Paris. A challenge to strengthen the Netflix branch with my experience in Hollywood. It was my first project, and I was eager. We wanted Monet’s Soleil Levant for a scene, the real one.

    I entered Mussee Marmottan, and was in awe by the stunning outlining of Monet’s work. It spoke to me. And I promised myself not to leave without a guarantee to use his work in the movie we were making.

    When the curators assistant opened the door to the office of her boss, Bette turned away from the window and the sun got caught in her eyes – that were holding so many stories. Her long curls framed her stunning face and she tilted her stubborn chin up.

    I sat across from her and started selling my idea, coloring my story every way possible. She just sat there, silent, looking at me with those dark penetrating eyes.

    When I finished, she paused a couple of moments before flatly saying. ’No.’

    I was still stunned when I exited the museum, wondering what the fuck had just happened. I came back a second time, the same idea but a new approach, we made a small chat. I was bending over backwards, but her answered remained ’no’.

    By the third time I entered her office I realized I was in love. She said yes on the Monet, on one condition; that I would go on a date with her. By then the Monet had been the last thing on my mind.

    Eventually, after a few weeks, we were lying in bed after the first time of making love, and she told me ’I wanted to say yes the first time, but I was afraid that I wouldn’t see you again.’

    The clouds kept on gathering above the sea as I walked back to the hotel.

    1.9 Tina

    It was already dark when I stepped into hotel lobby. When the elevator door started closing, Kate stopped it and stepped in. With a quick glance in the mirror she stood next to me. ’I should consider settling down, I can’t keep up with those young dogs.’ She still seemed energized, probably from the wine I could smell on her breath. ’Where were you? I didn’t see you in the bar.’I met her brown eyes in the mirror. ’I took a walk.’ My hair was moist and smelled briny.

    Comments

    1. Hey ladies,

      Welcome back!

      I do remember Renee and the story of last year. I totally loved that one but this rewrite is catching my interest as well.

      My heart is breaking for Bette and Tina, i want to cry for them and hope and wish they will find the love they once had.

      And Renee being so sick, no cure possible. The catalist for Bette returning to Paris.

      I’m looking forward to read the other parts.

    2. A re-write? I’m curious to see what you’ve changed. I loved it the first time around and was waiting for an update.
      Well, I’m off to reading now. :-)

    3. I was exciting seeing the tittle (not knowing of the meaning of 2.0 was). read the story eagerly, thinking it was another chapter of the other story. but then I read, Renee is still alive? hmm.. must be a past story, then.. I thought.. hmm.. it’s weird, the storyline seems different from the one without 2.0.
      then I read Author Note, I should have read it sooner… hehehehe.. (so sorry.. I didn’t read the author note from the beginning because how eager I was to read it) so it is different story, with almost the same background .. and now I wonder what is the difference from the other one? well… my impression reading this one is less bitterness, a lot of stubbornness from both side,, and that makes me wonder what happened with them?

      I love both stories, and can’t wait for the next one.. and thank you for sharing your work with us..

    4. I must say that this story is rather confusing to me… As you have no introduction into any background on this story. Who is Renee? Who is “I”… what’s going on… I am sorry to say that after 3 pages I simply quit reading as I still had no clue as what I was reading. If you are depending on the reader having read another story to figure out who these people are and what is going on, then you need to say so. But your story is like waking up and finding yourself somewhere you have never been before with people you do not know and why you or they are there… With any good story… you cannot assume your reader knows anything…. you must tell the reader what they need to know to get into the story..

      I do remember your last story…. but I also remember that I had a great deal of difficulty following who was talking in your dialogue sequences… thus, I had a great deal of difficulty discerning the story line… Is this Bette talking or is it Tina? I guess some enjoy that style of story telling… I will say that I enjoyed Desert Rose far more than Uncharted Territory.

      Good luck with this one. I wish you much success…

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